| LARGO BALZAQUE
 
        
          | Title: 
            Berdichev at time of Balzac and Ganskaya
 Artist: Balzak Largo
 
 Size: 16.5" x 11.8" in (42 x 30 cm)
 
 Material: watercolor on paperboard
 
 Year: 2003
 
 |  |  Biography:    To 
        write the biography of the person always it is hard. How to transfer personal 
        sensations from the meeting with him and the dry facts of his biography?There 
        is in front of me stately a sports kind a man with bright blue eyes, simultaneously 
        serious and cheerful and speaks: “I am old already, I am 68 years old”, 
        however eyes repeat: ”I am young and full of energy”. Largo Balzaque was born in 1936 in Kiev. His mother and father, grandmother 
        and grandfather lived in Kiev. Where its destiny as the builder and the sportsman. 
        He has graduated from the Kiev engineer-construction institute, he has the 
        master sports on skis, he came back in the favourite city where he has grown 
        in small Dionis lane, near to Pokrovsk monastery.
 Largo life is rich with events and abrupt changes.
 First his construction was Karatau (Kazakhstan) factory where Largo with prisoners 
        and subjected to repression built plant. After it he went to army service. 
        He was in army in building sub-unit located in Siberia where in forty-degree 
        cold he “increased the rocket power of Soviet union”.
 After returning to Kiev, at mature age he has graduated from the Kiev state 
        art institute.
 When perestroika begun, he became the main expert on the fine arts of the 
        Ministry of culture of Ukraine. Since 1994 until 2004 Largo has been the responsible 
        secretary of the Union of advertisement makers of Ukraine. He has a Golden 
        medal - it is a high reward of the Union of advertisement makers of Ukraine.
 Now Largo is the teacher of the faculty of design, architecture and gardening 
        landscape art of the State Academy of managerial personnel of culture and 
        arts.
 
 Some other works of Largo Balzaque:
 
        
          |  |  |  
          | Vidubetskiy Monastery | Nostalgy. Andreevskiy spusk |  
          |  |  |  
          | Kiev of Balzaque and Ganskaya  | Mariinskiy Palace |  
          |  |  |  
          | Andreevskiy Spusk | Winter. Podol suite. |  
          |  |  |  
          | Yaroslavov Val | The Street Pokrovskaya |  The 
        first professional exhibition of works of Largo opened in 1989. At an exhibition 
        have been submitted 60 works carried out in techniques of old masters, the 
        greatest success has fallen to engraving “Walk along Laura”, ”Evening 
        Lvov”, then the urbanistic direction in creativity of the artist became 
        the main, there was more than 1530 personal exhibitions. Favourite techniques 
        of the artist are “ metstso-tinto”, ”a dry needle”, 
        a pen, a watercolor. Largo writes his watercolors on a special cardboard cromersatz 
        in technigues “a la prima” this nothing can be corrected. He makes 
        painting on one breath. Watercolor amazes ease and a transparency but behind 
        ease there are a many days preparation: accurate draw by pencil, selection 
        and reading of various materials on arñhitecture and histories of city, 
        for this reason places in its pictures are recognized. It was Kiev, Munich, 
        Bratislava and the small city Berdichev, watercolors are not similar as well 
        as cities are unlike but spirit of centuries lives in pictures.Kiev works by Largo it is a city of Konstantin Paustovsky and Michael Bulgakov, 
        city of times Onore de Balzaque and Evelin Ganskaya. The quivering love is 
        feeling in its each work.
 Pictures by Largo are in museums of Washington, Vienna, Slovakia, Kazakhstan 
        and, certainly, Ukraine, in many private collections on the Motherland and 
        abroad. He always speaks: “It is not the main thing that the observer 
        has recognizes city. First of all it is required to inform up to the observer 
        imaginations and make such that observer has grown fond also of these old 
        walls and churches, witness history. We know history badly and love it even 
      less”.
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